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Programming
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Jazz: The Second Century
concert series
Thursday, August 28, 7:30 pm
double bill
Byron Vannoy’s Meridian
and
Pontius Pilots
Chapel Performance Space
Good Shepherd Center, 4649 Sunnyside Ave N
$10 general admission (buy tickets online)

Photo by Steve Korn
Byron Vannoy: drums
Chris Symer: bass
Kacey Evans: keyboards
Chris Spencer: guitar
Eric Barber: saxophones
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Byron Vannoy’s Meridian
(listen)
After several years of steady and impressive growth as a player and leader, Byron Vannoy has developed a quintet sound that exemplifies impressively his sense of one direction jazz is taking in this century. He says: “I believe this is music that could be representative of the 21st century because we are not ignoring any influence. If I heard something, I wrote it and developed it without considering the origin or the style. I chose players who are very versatile and have played a wide variety of music. It is an organic fusion music that is honest and unpretentious, and at the core hopefully retains a sense of progressiveness and tradition.”
Vannoy is a busy drummer, working with such projects as the Hans Teuber Trio, Ziggurat Quartet, the Joe Doria Trio, Julian Priester’s Cue, and Tom Varner’s Tentet. With his own Meridian, he issued an album of original music last month. Rooted in jazz and fueled by rock and popular music, it features both improvisation and composed sections. His writing embraces odd meters whose harmonic changes and vamps offer springboards for free playing.
He has ideal partners for that. All are highly seasoned players with experience ranging through the full spectrum of jazz styles. For example, saxophonist Eric Barber, who integrates elements of jazz, Balkan, and Indian music into a personal vocabulary of extended saxophone techniques, has worked with many figures of national repute, and leads the impressive Ziggurat quartet jointly with pianist Bill Anschell.
-- Peter Monaghan
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Photo by Charlie Smith
Victor Noriega: piano
Robert Nelson (aka E.R. DoN): Akai MPC 2000, midi programming
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Pontius Pilots
(listen)
Pontius Pilots is an electro-acoustic project that combines live piano and keyboards with pre-recorded samples. A collaboration between pianist and composer Victor Noriega and producer-musician Robert Nelson (e.R.DoN), the duo marries an array of real-instrument samples and synthesized sounds in combination with the acoustic piano to create, as Daniel Mitha wrote in the Journal of Popular Noise, “improv jazz forms imbued with inscrutable MPC-triggered samples.” Mitha described a recording in these terms: “Pithy clusters of piano notes pool and quickly evaporate. A spare clatter of brushed cymbals and cracked snares hang like bone jewelry from the baby grand’s lid. It all makes for a warm and woozy affair until a single insistent note pushes forth with Doppler-like precision. The drums tighten form while clipped guitar tones surface and put flesh to the bone. It is an exhilarating and fleeting moment of fusion and confusion.”
In recent years, Victor Noriega has emerged as one of the most impressive jazz pianists in the region. His compositions fuse classical and Filipino folk elements with a jazz aesthetic.
e.R.DoN composes music using midi-sequences and original samples. Performing live using an Akai MPC 2000XL, he samples and processes some sounds but lets other conventional instrumental sounds pass unprocessed; the result is a kinetic, captivating music, shifting and teetering between traditional and more experimental jazz elements. The result, as he says, “is a warmth and depth of sound that is not usually associated with this genre.”
-- Peter Monaghan
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In the summer of 2006, Earshot Jazz began a comprehensive project entitled “Jazz: The Second Century,” an initiative intended to address jazz’s progressive transition into the future. This concert series seeks to bring the discussion into creative motion where it matters most - on the stage, with an attentive audience.
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Earshot
Jazz is a Seattle based nonprofit music, arts and service
organization formed in 1984 to support jazz and increase
awareness in the community. Earshot Jazz publishes
a monthly newsletter, presents creative music and educational
programs, assists jazz artists, increases listenership,
complements existing services and programs, and networks
with the national and international jazz community.
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